Since my childhood, I’ve always felt uncomfortable with the feeling of being a person who does not behave according to the circumstances and does or says inappropriate or inconvenient things. Consequently, I’ve always sensed that the discordance between the external and internal worlds creates a distorted state of permanent loss.
My work titled “The Beginning of Loss” («Inicio de la Pérdida», in Spanish), which is now on display in the la Mercè girona Cloister (La Mercè Cultural Centre, Girona) easily connects with the idea previously explained: being the artistic centre where I pursued my artistic training at a very early age, it somehow represents part of my childhood, and I’ve felt out of place when I was asked to conduct a course here, now that I’m an adult.
According to my childhood memories, the cloister symbolized at that time a cold and dark universe. The space on itself, with its disconcerting circular route, became a natural part of the artwork that I know present. Positioning the piece right in the middle of the patio has a constituent load of internal imbalance and also evokes the fragility of childhood on its own.
Escultura madera y hierro.
Since my childhood, I’ve always felt uncomfortable with the feeling of being a person who does not behave according to the circumstances and does or says inappropriate or inconvenient things. Consequently, I’ve always sensed that the discordance between the external and internal worlds creates a distorted state of permanent loss.
My work titled “The Beginning of Loss” («Inicio de la Pérdida», in Spanish), which is now on display in the la Mercè girona Cloister (La Mercè Cultural Centre, Girona) easily connects with the idea previously explained: being the artistic centre where I pursued my artistic training at a very early age, it somehow represents part of my childhood, and I’ve felt out of place when I was asked to conduct a course here, now that I’m an adult.
According to my childhood memories, the cloister symbolized at that time a cold and dark universe. The space on itself, with its disconcerting circular route, became a natural part of the artwork that I know present. Positioning the piece right in the middle of the patio has a constituent load of internal imbalance and also evokes the fragility of childhood on its own.
Escultura madera y hierro.
Since my childhood, I’ve always felt uncomfortable with the feeling of being a person who does not behave according to the circumstances and does or says inappropriate or inconvenient things. Consequently, I’ve always sensed that the discordance between the external and internal worlds creates a distorted state of permanent loss.
My work titled “The Beginning of Loss” («Inicio de la Pérdida», in Spanish), which is now on display in the la Mercè girona Cloister (La Mercè Cultural Centre, Girona) easily connects with the idea previously explained: being the artistic centre where I pursued my artistic training at a very early age, it somehow represents part of my childhood, and I’ve felt out of place when I was asked to conduct a course here, now that I’m an adult.
According to my childhood memories, the cloister symbolized at that time a cold and dark universe. The space on itself, with its disconcerting circular route, became a natural part of the artwork that I know present. Positioning the piece right in the middle of the patio has a constituent load of internal imbalance and also evokes the fragility of childhood on its own.
Sculpture wood and Iron.
Escultura madera y hierro.
Inicio del la pérdida
Desde mi niñez siempre me he sentido incómodo con la sensación de ser una persona que no se comporta de acuerdo a las circunstancias y hace o dice cosas inapropiadas o inconvenientes. En consecuencia, siempre he sentido que la discordancia entre el mundo externo y el interno crea un estado distorsionado de pérdida permanente.
Mi obra titulada “El comienzo de la pérdida”, que ahora se exhibe en el Claustro de @lamercegirona (Centro Cultural La Mercè, Girona) entronca fácilmente con la idea expuesta anteriormente: ser el centro donde realicé mi formación artística a una edad muy temprana, de alguna manera representa parte de mi infancia, y me he sentido fuera de lugar cuando me propusieron realizar un curso aquí, ahora que soy adulto.
Según mis recuerdos de infancia, el claustro simbolizaba en aquella época un universo frío y oscuro. El espacio en sí mismo, con su desconcertante recorrido circular, se convirtió en parte natural de la obra que sé presentar. La colocación de la pieza justo en el centro del patio tiene una carga constitutiva de desequilibrio interno y también evoca por sí sola la fragilidad de la infancia.
Año2022Medidas4mx3,60mx60mMaterialMadera y HierroExpuesto enShowroom Nahuel Forchini
